VidFest Presentation

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    This is a loosely chronological survey of my work from my teenage fanzine artwork to screenshots of The Matrix Online, for which I wrote story continuity over the first few years of its existence. SF illustration, movie storyboards, advertising art and plenty of Concrete and other comics work included. It was part of my talk with Mark Verheiden, then a Battlestar Galactica writer/producer, to Vidfest 2007 in Vancouver BC.

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February 28, 2007



review of strange armour here:

Hence “The building that didn’t explode”, which tells of how Chadwick and some fellow artists narrowly averted disaster in their youth and then ponders why they were spared:

“Was it destiny? The divine plan, that these stellar artistic creations were meant to shiningly soar forth, bringing light to dreary lives?

“No, that’s bullshit.”

Chadwick goes on to lay out his view of the world, which couldn’t be further from the hazy mysticism of Sim/Moore/Morrison. It is a “crazy casino” offering “capricious gifts” with no sense beyond what we put into it.

Eddie Wood

I really enjoyed reading World Below and hope you decide to revive the story. The ending of the series was not very satisfying to say the least, but the rest of the series was gripping.

If you do start writing the story again, pick up the story from where they retrieved the robot drill from The Brain. With the way the series ends, I find it hard to believe that they can go on business-as-usual without some SERIOUS psychological damage if they somehow managed to escape, nevermind that their wealthy benefactor is hospitalized and their base of operations is destroyed. So for everyones sake just continue the story as if "Pets" never happened.

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