Photoshop is dreary work. Drawing, one can get into a flow state. But toning and lettering, as I'm doing here, involves multistep actions, drop-down menus, lots of left-brain action. At least you can fiddle with things endlessly and correct mistakes. Maybe I can still make Mary's eyes line up properly. From my forthcoming non-Concrete graphic novel with Mike Richardson (to be announced).
VidFest Presentation
- This is a loosely chronological survey of my work from my teenage fanzine artwork to screenshots of The Matrix Online, for which I wrote story continuity over the first few years of its existence. SF illustration, movie storyboards, advertising art and plenty of Concrete and other comics work included. It was part of my talk with Mark Verheiden, then a Battlestar Galactica writer/producer, to Vidfest 2007 in Vancouver BC.
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December 05, 2016
Comments
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Nice framing, will wait pensively for the announce.
Related - thank heck for RSS feeds. This post just jumped straight into my feed reader.
Posted by: samuel | December 06, 2016 at 01:34 AM
I'd love to get back in touch.
Posted by: Stephen Hardy | January 02, 2017 at 11:53 AM
Excited to hear about this! Thanks for sharing.
Yeah, it's easy to become something of a perfectionist when working digitally. A blessing and a curse.
I loved your last Concrete stories, Three Uneasy Pieces.
Posted by: Danish | February 10, 2017 at 10:12 PM