Photoshop is dreary work. Drawing, one can get into a flow state. But toning and lettering, as I'm doing here, involves multistep actions, drop-down menus, lots of left-brain action. At least you can fiddle with things endlessly and correct mistakes. Maybe I can still make Mary's eyes line up properly. From my forthcoming non-Concrete graphic novel with Mike Richardson (to be announced).
VidFest Presentation
- This is a loosely chronological survey of my work from my teenage fanzine artwork to screenshots of The Matrix Online, for which I wrote story continuity over the first few years of its existence. SF illustration, movie storyboards, advertising art and plenty of Concrete and other comics work included. It was part of my talk with Mark Verheiden, then a Battlestar Galactica writer/producer, to Vidfest 2007 in Vancouver BC.
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